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Karate - History and Philosophy

 

Karate, or karate-do, loosely translated means "empty hand" (kara means "empty" and te means "hand"), and this art is predominantly concerned with fighting with bare hands and feet. The basic principle is to turn the body into an effective weapon to defend and attack when and where it is appropriate.

Karate can be regarded as both a sport as well as a self-defence art depending on the emphasis of the club or the association that is followed. Some instructors of karate place great emphasis on classical teachings, which incorporate traditional movements (such as kata) and philosophy, while others focus more on competition training. Many instructors teach all aspects of the art. Karate is also an effective system of self-defence, which originally evolved on the Japanese island of Okinawa, where the carrying of weapons was forbidden, and so the inhabitants had to learn to protect themselves by other means.

Karate is one of the most widely practised of the oriental martial arts. It evolved during one of the Japanese occupations of the island of Okinawa, part of the Ryukyu chain of islands, in the 15th century. Its roots, however, can be traced back much further than this - all the way back to ancient India and China. Many people hold the view that what we today regard as the oriental martial arts have their roots in India. Indeed, when we look at such disciplines as yoga and the breathing techniques that originated in India, there does seem to be a great similarity between those and many of the modern martial arts systems.

It is believed that Zen Buddhist monks took the Indian fighting techniques to China from as early as the 5th and 6th centuries BC. Bodidharmi, the most famous of these monks, travelled at the end of the 5th century AD from India to China, where he became an instructor at the Shaolin monastery. He taught a combination of empty-hand fighting systems and yoga, and this became the well-known Shaolin kung fu - the system on which many Chinese martial arts systems are based.

In 1470, the Japanese had occupied the island of Okinawa. The law of the land dictated that anybody found carrying weapons would be put to death. In order to protect themselves from local bandits, who largely ignored the ban on weapons, Zen Buddhist monks developed the empty hand system known as te ("hand"), importing new techniques from China. Eventually the new art was translated as t'ang ("China hand"), but was familiarly known as Okinawa-te ("Okinawa hand"). It was not until the 20th century that t'ang became known as karate-do ("empty hand").

Practice and demonstrations until that time had been extremely violent. Punches were not pulled and full contact was an integral part of the Okinawa-te style. Yoshitaka Funakoshi (Gichin Funakoshi's son) transformed the techniques of Okinawa-te into a gentler system, seeking not to deliver blows fully, but to "focus" strikes at skin level. The do suffix expressed the move away from the "aim of the warrior" and towards physical and spiritual development.

 

Gichin Funakoshi

 

Gichin Funakoshi (1868-1957) was a student of the Chinese classics and of the martial arts, and is credited with introducing karate to mainland Japan in the early part of the 20th century. Prior to this, in 1905, the occupying Japanese had authorised the inclusion of karate in the Okinawan physical education programme for middle school students, They appreciated the discipline inherent in karate and soon it became an integral part of the school education system.

In 1917, at the request of the Japanese Ministry for Education, Funakoshi travelled from Okinawa to Kyoto in Japan and gave the first display of t'ang. In 1921, Funakoshi demonstrated his system for the Crown Prince of Japan at Shuri Castle. So impressive was this that Funakoshi was asked to appear at the first national athletic exhibition in Tokyo. Jiguro Kano, the founder of judo, among others, persuaded Funakoshi to stay on mainland Japan.

In 1924, Funakoshi began teaching in several schools and dojo and founded the first University Karate Club at Keio University. Other styles started to develop, including kyokushinkai, shukukai, and wado ryu. By 1936, karate had started to spread and the first purpose built karate dojo was built, called shotokan (the "hall of shoto" - a pen name of Funakoshi).

In 1955 the first dojo of the Japan Karate Association was opened. Two years later in Tokyo, on 26 April, 1957, Funakoshi died. By this time, karate was well established and today is enjoyed throughout the world.

 

Wado Ryu - History

 

Hironori Ohtsuka (1892 - 1982) was the founder of the wado ryu system of karate. He commenced training in shindo yoshin ryu jujitsu at the age of 6, and at the age of 30 he began training under the supervision of Gichin Funakoshi (the founder of karate-do) before founding the wado ryu system in 1939. Wado ryu is one of the four main Japanese styles of karate that are taught around the world.

In 1939, Ohtsuka organised the All Japan Karate Do Federation Wado Ki and the Worldwide Headquarters for the Wado Ryu System. In 1967 he was the first karateka to be awarded the 5th order of merit of the sacred treasure of the Emperor of Japan as an acknowledgement of his achievements. Following his death in 1982, Hironori Ohtsuka's son, Jiro, became the chief instructor of the wado ryu system.

To practitioners of wado ryu, the main philosophy is to better their attitude both within and outside the art. This is one of the main aims of budo (martial art), which emphasises the development of respect, discipline and understanding in a mental as well as physical capacity. This aim affects our attitude towards ourselves and others in our home life, work and social activities. To show aggression outwardly, even during training sessions, is greatly discouraged. The name wado ryu, approximately translated, means "the peaceful way".

Another characteristic of wado ryu is that unnecessarily large movements are kept to a minimum. Importance is placed on the speed and efficiency of movement with which each technique is performed, rather than the strength or physical effort outwardly shown. Exponents of wado ryu place great emphasis on the coordination of body movement with each particular technique. This principle is found in many other martial arts, such as ju-jitsu, aikido and kendo. This coordination is stressed at all stages of learning, from the execution of basic techniques to the application of advanced, free fighting combinations.

 

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